Roman Numeral Analysis: Difference between revisions
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*Students will be familiar with harmonic macroanalysis and roman numeral analysis. | *Students will be familiar with harmonic macroanalysis and roman numeral analysis. | ||
*Students will be familiar with the names of individual scale degrees (tonic, supertonic, etc.) | *Students will be familiar with the names of individual scale degrees (tonic, supertonic, etc.) | ||
*Student will be able to derive the Roman Numerals in a major or minor key | *Student will be able to derive the Roman Numerals in a major or minor key | ||
*Student will be able to label chords with the proper Roman Numeral in major and minor keys | *Student will be able to label chords with the proper Roman Numeral in major and minor keys | ||
*Student will understand the concept of harmonic rhythm | |||
==Resources== | ==Resources== | ||
====Readings==== | |||
*Music Theory.Net: | |||
**[https://www.musictheory.net/lessons/43 Diatonic Triads] | |||
**[https://www.musictheory.net/lessons/44 Roman Numeral Analysis: Triads] | |||
**[https://www.musictheory.net/lessons/46 Diatonic Sevenths] | |||
**[https://www.musictheory.net/lessons/49 Roman numeral Analysis: Sevenths] | |||
*''Music Theory for Musicians and Normal People:'' | |||
**[https://tobyrush.com/theorypages/pdf/en-us/triads-within-tonality.pdf Diatonic Triads] | |||
**[https://tobyrush.com/theorypages/pdf/en-us/diatonic-seventh-chords.pdf Diatonic Seventh Chords] | |||
*Tobey, ''A Feeling for Harmony:'' | |||
**[http://legacy.earlham.edu/~tobeyfo/musictheory/Book1/FFH1_CH3/3B_MajorMinorScales.html Chapter 3B: The Tonal, Major-Minor System] | |||
*Hutchinson, ''Music Theory for the 21st Century Classroom'': | |||
**[http://musictheory.pugetsound.edu/mt21c/RomanNumeralChordSymbols.html Chapter 7.1: Roman Numeral Chord Symbols] | |||
**[http://musictheory.pugetsound.edu/mt21c/DiatonicChordsInMajor.html Chapter 7.2: Diatonic Chords in Major] | |||
**[http://musictheory.pugetsound.edu/mt21c/DiatonicChordsInMinor.html Chapter 7.3: Diatonic Chords in Minor] | |||
**[http://musictheory.pugetsound.edu/mt21c/RomanNumeralsOfDiatonicSeventhChords.html Chapter 8.3: Roman Numerals of Diatonic Seventh Chords] | |||
**[http://musictheory.pugetsound.edu/mt21c/AnalyzingChords.html Chapter 6.4: Analyzing Chords] | |||
**[http://musictheory.pugetsound.edu/mt21c/HarmonicRhythm.html Chapter 9.2: Harmonic Rhythm] | |||
==== Tools ==== | |||
* [https://www.musictheory.net/lessons/52 MusicTheory.Net: Sample Analysis] | |||
==Class Activities== | ==Class Activities== | ||
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==Notes== | ==Notes== | ||
{{Fundamentals12TETNavbox}} | {{Fundamentals12TETNavbox}} | ||
{{HarmonyNavbox}} | |||
{{Theory1Navbox}} | |||
[[Category:Theory 1]] | [[Category:Theory 1]] | ||
[[Category:Harmony]] | [[Category:Harmony]] | ||
[[Category:Fundamentals of 12TET]] | [[Category:Fundamentals of 12TET]] | ||
Latest revision as of 19:04, 21 December 2024
| This lesson is part of the Fundamentals of Twelve-Tone Equal Temperament category. |
Objectives
- Students will be familiar with harmonic macroanalysis and roman numeral analysis.
- Students will be familiar with the names of individual scale degrees (tonic, supertonic, etc.)
- Student will be able to derive the Roman Numerals in a major or minor key
- Student will be able to label chords with the proper Roman Numeral in major and minor keys
- Student will understand the concept of harmonic rhythm
Resources
Readings
- Music Theory.Net:
- Music Theory for Musicians and Normal People:
- Tobey, A Feeling for Harmony:
- Hutchinson, Music Theory for the 21st Century Classroom:
Tools
Class Activities
- Discussion and definition of the concept of harmonic analysis
- Discussion and definition of the concept of Roman numeral analysis
- Roman numeral analysis of music from different genres and time periods
Assignments
- Translation of a macroanalyzed chord progression into Roman numeral analysis