Amplification & Distortion: Difference between revisions

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====Readings====
====Readings====


*[http://www.ethanhein.com/wp/2009/jimi-hendrix-electronic-musician/ The Ethan Hein Blog: Hein, "Jimi Hendrix, electronic musician"]
*[https://www.theatlantic.com/science/archive/2016/02/white-noise-sound-colors/462972/ ''The Atlantic:'' Neal, "The Many Colors of Sound"]
*[https://www.theatlantic.com/science/archive/2016/02/white-noise-sound-colors/462972/ ''The Atlantic:'' Neal, "The Many Colors of Sound"]
*[[wikipedia:Colors_of_noise|''Wikipedia:'' "Colors of Noise"]]
*[[wikipedia:Colors_of_noise|''Wikipedia:'' "Colors of Noise"]]


==== Listening or Videos ====
====Listening or Videos====


* ''Effects 101:''
*''Effects 101:''
** [https://www.youtube.com/watch?v=40i3_JH6FYw "Overdrive"]
**[https://www.youtube.com/watch?v=40i3_JH6FYw "Overdrive"]
*[https://open.spotify.com/album/2g4i8tiNEGn1dCNYeuvixB?si=qs0vEa9SSS2LtzN7AHhJzA Lou Reed, ''Metal Machine Music'']


*[https://www.youtube.com/watch?v=pkqjqOa7two Marty Music: "Overdrive, Distortion, Fuzz: What's the Difference?"]<br />
*[https://www.youtube.com/watch?v=pkqjqOa7two Marty Music: "Overdrive, Distortion, Fuzz: What's the Difference?"]<br />
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*Identification and analysis of amplification and distortion in recorded music
*Identification and analysis of amplification and distortion in recorded music
*Designing a PA system for a specific need
*Comparison of live and studio recordings


==Notes==
==Notes==

Latest revision as of 19:04, 21 December 2024

This lesson is part of the Electronic Music & Sound Production category.

Objectives

  • Students will be familiar with the basics of electronic amplification for various different instruments.
  • Students will be able to use amplification and/or amplification-related distortion to achieve a given musical effect.
  • Students will be understand different types of noise and their applications.

Resources

Readings

Listening or Videos

Class Activities

  • Discussion and demonstration of amplification of an acoustic or electronic signal
  • Discussion and demonstration of distortion, overdrive and feedback as musical techniques
  • Analysis of amplification and distortion in music of different styles
  • Creation and manipulation of an electronically distorted sound

Assignments

  • Identification and analysis of amplification and distortion in recorded music
  • Designing a PA system for a specific need
  • Comparison of live and studio recordings

Notes