Introduction to Notation Systems: Difference between revisions

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==Objectives==
==Objectives==


*Students will be familiar with and understand the basic concepts of guitar tablature, lead sheet notation, braille music notation, and electronic notation formats such as Standard MIDI File and MusicXML.
*Student will be able to critically assess the difference between an aural cue and its visual representation
*Student will learn the definitions of etic vs. emic; prescriptive vs. descriptive notations
*Student will be able to identify the emic/etic and descriptive/prescriptive aspects of various notations
*Student will assess the functionality of different notation system(s) according to specific goals (i.e. performativity vs. representation)
*Student will be familiar with various notation systems and the main sonic aspect they annotate, notably: guitar tablature, lead sheet notation, braille music notation, and electronic notation formats such as DAW diagrams, MIDI 1.0 and MusicXML files.


==Resources==
==Resources==
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*Handout on Prescriptive/Descriptive and Etic/Emic notations
*Handout on Prescriptive/Descriptive and Etic/Emic notations
*A. Granade, "Cracking the Code: What Notation Can Tell Us About Our Musical Values" (''[https://openaccessmusicology.wordpress.com Open Access Musicology],'' forthcoming)
*Granade, "Cracking the Code: What Notation Can Tell Us About Our Musical Values" (''[https://openaccessmusicology.wordpress.com Open Access Musicology],'' forthcoming)
*C. Rowbury, [https://blog.chrisrowbury.com/2011/02/music-notation-what-is-it-good-for-and.html "Music Notation: What is it good for and why does it matter?"] (''From the Front of the Choir'' Blog, 2011)
*Rowbury, ''From the Front of the Choir Blog'':
*C. Rowbury, [https://blog.chrisrowbury.com/2010/10/song-is-not-sheet-music.html "The song is not the sheet music!"] (''From the Front of the Choir'' Blog, 2010)
**[https://blog.chrisrowbury.com/2011/02/music-notation-what-is-it-good-for-and.html "Music Notation: What is it good for and why does it matter?"]
*C. Rowbury, [https://blog.chrisrowbury.com/2011/02/using-sheet-music-to-teach-and-learn.html "Using sheet music to teach and learn songs: the Pros and Cons"] (''From the Front of the Choir'' Blog, 2011)
**[https://blog.chrisrowbury.com/2010/10/song-is-not-sheet-music.html "The song is not the sheet music!"]
*[http://globalnotation.org.uk/specifying-the-information-you-want/ "Specifying the information you want."] (''Global Notation'' Website, 2020)
**[https://blog.chrisrowbury.com/2011/02/using-sheet-music-to-teach-and-learn.html "Using sheet music to teach and learn songs: the Pros and Cons"]
*''Global Notation'': [http://globalnotation.org.uk/specifying-the-information-you-want/ "Specifying the information you want."]<br />


<u>''Histories of Western Notations''</u>
<u>''Histories of Western Notations''</u>


*J. Bennett. [https://www.wqxr.org/story/how-was-musical-notation-invented-brief-history/ "How was musical notation invented? A brief history."] (''How To Classical'' Blog, 2017)
*Bennett, [https://www.wqxr.org/story/how-was-musical-notation-invented-brief-history/ "How was musical notation invented? A brief history."]
*V. Williams. [https://www.mymusictheory.com/reference/345-the-evolution-of-music-notation "The Evolution of music notation."] (''My Music Theory'' Blog)
*Williams, [https://www.mymusictheory.com/reference/345-the-evolution-of-music-notation "The evolution of music notation."]
*D. Hall, [http://davidhall.io/visualising-music-graphic-scores/ "The Art of Visualizing Music."]
 


''<u>Individual Notation Types</u>''
''<u>Individual Notation Types</u>''


*'''Western notations through history'''
*Western notations through history
**Chant Notation:
**Chant Notation(s)
**Rhythmic Modes
**Rhythmic Modes
**Protonotation: Shaffer et al. [http://openmusictheory.com/protonotation.html "Protonotation"] (''Open Music Theory'')
**Shaffer, ''Open Music Theory'': [http://openmusictheory.com/protonotation.html Protonotation]
**Figured Bass Notation
**Figured Bass Notation
**[https://fasola.org/resources/ Sacred Harp Shape Note Singing]
**''Fasola'': [https://fasola.org/resources/ Sacred Harp Shape Note Singing]
**Drum Notation: [https://web.archive.org/web/20131206152241/http://www.drumbook.org/drum-lessons/beginner-drums/drum-notation/ "Drum Notation."] (''Drum Book'' 2013)
**''Drum Book'': [https://web.archive.org/web/20131206152241/http://www.drumbook.org/drum-lessons/beginner-drums/drum-notation/ Drum Notation]
*'''Common popular music notations:'''
**Hall, [http://davidhall.io/visualising-music-graphic-scores/ "The Art of Visualizing Music."]
**Jazz Chart Notation: [https://www.jazzguitar.be/blog/how-to-read-jazz-chords/ "How to read jazz chords and lead sheets."] (''Jazz Guitar Online'')
*Common popular music notations
**[https://www.howmusicworks.org/703/Playing-with-Chords/Slash-Chord-Notation Slash Notation]
**''Jazz Guitar Online'': [https://www.jazzguitar.be/blog/how-to-read-jazz-chords/ How to read jazz chords and lead sheets.]
**Nashville Notation: [https://guitarthinker.com/lessons/nashville-number-system "Nashville Number System."] (''Guitar Thinker'')
**''How Music Works'': [https://www.howmusicworks.org/703/Playing-with-Chords/Slash-Chord-Notation Slash Chord Notation]
*'''Tablatures''' (historical and worldwide):
**''Guitar Thinker'': [https://guitarthinker.com/lessons/nashville-number-system Nashville Number System.]
**Guitar Tablature: "[https://www.musicnotes.com/now/tips/how-to-read-guitar-tabs/ Guitar Tab Explained."] (''Music Notes Now'' Blog)
*Tablatures (historical and worldwide):
**Chinese Gugin Tablature: [http://www.peiyouqin.com P. Chang "PeiyouQin"]
**''Music Notes Now Blog'': "[https://www.musicnotes.com/now/tips/how-to-read-guitar-tabs/ Guitar Tab Explained."]
*'''Other World Musics'''
**Chinese Gugin
**Ancient Greek notation (i.e. Epitaph of Seikilos: [[wikipedia:Seikilos_epitaph|Wikipedia Article]])
*Other World Musics
**[http://www.gamelanbvg.com/gendhing/index.php Gamelan cipher notation]
**Wikipedia: [[wikipedia:Seikilos_epitaph|Epitaph of Seikilos]]
**[[wikipedia:Gongche_notation|Chinese Gongche Notation]]
**Javanese Gamelan Cipher Notation
*'''Various modalities'''
**Wikipedia: [[wikipedia:Gongche_notation|Chinese Gongche Notation]]
**[https://sites.tufts.edu/yewevu/ Locke, "Yewevu in the Metric Matrix"]
**Sadhana, ''Demystifying Hindustani Classical Music:'' [https://raag-hindustani.com/Notation.html "Notating Indian Classical Music."]
*Various modalities
**Braille notation
**Braille notation
**MIDI signals  
**MIDI signals
**XML (or other computer-coded notations)
**XML (or other computer-coded notations)
**DAW visualizations
**DAW visualizations
**[[wikipedia:Dance_notation|Dance notation]]  
**Wikipedia: [[wikipedia:Dance_notation|Dance notation]]


'''Tools'''
===='''Instructor References'''====


*[http://www.jazzstudies.us Jazz Chord Charts]
*[https://www.jstor.org/stable/43616455 Alvarez-Pereyre and Arom, "Ethnomusicology and the Emic/Etic Issue''.''" (''The World of Music'' 35.1: 7-33, 1993)]
*[https://www.jstor.org/stable/43616456 Bauman, "Listening as an Emic/Etic Process in the Context of Observation and Inquiry." (''The World of Music'' 35.1: 34-62, 1993).]
*[http://www.peiyouqin.com Chang, ''Chinese Gugin Playing and Notation'']
*[https://www.amherst.edu/system/files/media/1770/Seeger%252520-%252520Prescriptive%252520and%252520Descriptive%252520Music-Writing.pdf Seeger, "Prescriptive and Descriptive Music-Writing." (''The Musical Quarterly'' 44.2: 184-195, 1958)]
*[https://sumarsam.web.wesleyan.edu/Intro.gamelan.pdf Sumarsam, "Introduction to Gamelan"]
*[https://tabs.ultimate-guitar.com Ultimate Guitar Tabs]
*[https://tabs.ultimate-guitar.com Ultimate Guitar Tabs]
*[http://www.gamelanbvg.com/gendhing/index.php Gendhing Jawi: Javanese Gamelan Notation Database]
*[http://www.jazzstudies.us Jazz Studies Chord Charts Database]
*[https://sumarsam.web.wesleyan.edu/Intro.gamelan.pdf Sumarsam: Introduction to Gamelan]
 
===='''Tools'''====
 
*[https://www.snoize.com/MIDIMonitor/ MIDI Monitor] (Software; Mac only)
*[https://www.snoize.com/MIDIMonitor/ MIDI Monitor] (Software; Mac only)
*[http://www.midiox.com MIDIOX] (Software; Windows only)
*[http://www.midiox.com MIDIOX] (Software; Windows only)
*[https://www.audacityteam.org Audacity] (Software)
*[https://www.audacityteam.org Audacity] (Software)
*[https://tobyrush.com/braillemusic/notator/index.html Braille Music Notator]


==Class Activities==
==Class Activities==
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==Notes==
==Notes==
{{FundamentalsSoundMusicNavbox}}
{{Theory1Navbox}}
[[Category:Fundamentals of Sound & Music]]
[[Category:Theory 1]]
[[Category:Notation]]

Latest revision as of 19:04, 21 December 2024

This lesson is part of the Fundamentals of Sound & Music module.

Objectives

  • Student will be able to critically assess the difference between an aural cue and its visual representation
  • Student will learn the definitions of etic vs. emic; prescriptive vs. descriptive notations
  • Student will be able to identify the emic/etic and descriptive/prescriptive aspects of various notations
  • Student will assess the functionality of different notation system(s) according to specific goals (i.e. performativity vs. representation)
  • Student will be familiar with various notation systems and the main sonic aspect they annotate, notably: guitar tablature, lead sheet notation, braille music notation, and electronic notation formats such as DAW diagrams, MIDI 1.0 and MusicXML files.

Resources

Readings

Notation Explained

Histories of Western Notations


Individual Notation Types

Instructor References

Tools

Class Activities

  • Discussion and demonstration of different notation systems and their individual purposes, strengths and weaknesses
  • Transcription of a simple melody in guitar tablature (given fretboard diagrams) and braille music notation
  • Demonstration of the creation of various electronic notation formats
  • Demonstration of MIDI signals using MIDI monitor software
  • Listening and "quick" transcription of musical examples: compare to score and discuss differences based on notation's function.
  • In-class interpretation of various notations on different instruments.
  • If you have a Javanese gamelan: Have students perform from gamelan notation and illustrate non-written practices

Assignments

  • Notating short melodies in different notation systems
  • Transcription assignment: ask students to transcribe examples from various musical traditions with different aims and/or given different parameters (i.e. "notate the pitch parameter.")

Notes