Introduction to Notation Systems: Difference between revisions

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**Javanese Gamelan Cipher Notation
**Javanese Gamelan Cipher Notation
**Wikipedia: [[wikipedia:Gongche_notation|Chinese Gongche Notation]]
**Wikipedia: [[wikipedia:Gongche_notation|Chinese Gongche Notation]]
**[https://sites.tufts.edu/yewevu/ D. Locke, "Yewevu in the Metric Matrix"]
**[https://sites.tufts.edu/yewevu/ Locke, "Yewevu in the Metric Matrix"]
**Sadhana, ''Demystifying Hindustani Classical Music:'' [https://raag-hindustani.com/Notation.html "Notating Indian Classical Music."]
*Various modalities
*Various modalities
**Braille notation
**Braille notation
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**Wikipedia: [[wikipedia:Dance_notation|Dance notation]]
**Wikipedia: [[wikipedia:Dance_notation|Dance notation]]


==== '''Instructor References''' ====
===='''Instructor References'''====


* [https://sumarsam.web.wesleyan.edu/Intro.gamelan.pdf Sumarsam, "Introduction to Gamelan"]  
*[https://www.jstor.org/stable/43616455 Alvarez-Pereyre and Arom, "Ethnomusicology and the Emic/Etic Issue''.''" (''The World of Music'' 35.1: 7-33, 1993)]
* [http://www.peiyouqin.com Chang, ''Chinese Gugin Playing and Notation'']
*[https://www.jstor.org/stable/43616456 Bauman, "Listening as an Emic/Etic Process in the Context of Observation and Inquiry." (''The World of Music'' 35.1: 34-62, 1993).]
*[http://www.peiyouqin.com Chang, ''Chinese Gugin Playing and Notation'']
*[https://www.amherst.edu/system/files/media/1770/Seeger%252520-%252520Prescriptive%252520and%252520Descriptive%252520Music-Writing.pdf Seeger, "Prescriptive and Descriptive Music-Writing." (''The Musical Quarterly'' 44.2: 184-195, 1958)]
*[https://sumarsam.web.wesleyan.edu/Intro.gamelan.pdf Sumarsam, "Introduction to Gamelan"]
*[https://tabs.ultimate-guitar.com Ultimate Guitar Tabs]
*[https://tabs.ultimate-guitar.com Ultimate Guitar Tabs]
*[http://www.jazzstudies.us Jazz Studies Chord Charts Database]
*[http://www.jazzstudies.us Jazz Studies Chord Charts Database]


 
===='''Tools'''====
'''Tools'''


*[https://www.snoize.com/MIDIMonitor/ MIDI Monitor] (Software; Mac only)
*[https://www.snoize.com/MIDIMonitor/ MIDI Monitor] (Software; Mac only)
*[http://www.midiox.com MIDIOX] (Software; Windows only)
*[http://www.midiox.com MIDIOX] (Software; Windows only)
*[https://www.audacityteam.org Audacity] (Software)
*[https://www.audacityteam.org Audacity] (Software)
*[https://tobyrush.com/braillemusic/notator/index.html Braille Music Notator]


==Class Activities==
==Class Activities==

Latest revision as of 19:04, 21 December 2024

This lesson is part of the Fundamentals of Sound & Music module.

Objectives

  • Student will be able to critically assess the difference between an aural cue and its visual representation
  • Student will learn the definitions of etic vs. emic; prescriptive vs. descriptive notations
  • Student will be able to identify the emic/etic and descriptive/prescriptive aspects of various notations
  • Student will assess the functionality of different notation system(s) according to specific goals (i.e. performativity vs. representation)
  • Student will be familiar with various notation systems and the main sonic aspect they annotate, notably: guitar tablature, lead sheet notation, braille music notation, and electronic notation formats such as DAW diagrams, MIDI 1.0 and MusicXML files.

Resources

Readings

Notation Explained

Histories of Western Notations


Individual Notation Types

Instructor References

Tools

Class Activities

  • Discussion and demonstration of different notation systems and their individual purposes, strengths and weaknesses
  • Transcription of a simple melody in guitar tablature (given fretboard diagrams) and braille music notation
  • Demonstration of the creation of various electronic notation formats
  • Demonstration of MIDI signals using MIDI monitor software
  • Listening and "quick" transcription of musical examples: compare to score and discuss differences based on notation's function.
  • In-class interpretation of various notations on different instruments.
  • If you have a Javanese gamelan: Have students perform from gamelan notation and illustrate non-written practices

Assignments

  • Notating short melodies in different notation systems
  • Transcription assignment: ask students to transcribe examples from various musical traditions with different aims and/or given different parameters (i.e. "notate the pitch parameter.")

Notes