Main Page: Difference between revisions
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* [[Synthesis]] | * [[Synthesis]] | ||
* [[Sampling]] | * [[Sampling]] | ||
* [[ | * ''[[Musique Concrète]]'' | ||
* [[Amplification & Distortion]] | * [[Amplification & Distortion]] | ||
* [[Filters & Effects]] | * [[Filters & Effects]] | ||
Revision as of 21:23, 1 July 2020
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Lessons
Theory I
- Acoustics: Sound Creation & Propagation
- The Ear: Sound Reception
- Recording Methods
- Pitch & Timbre
- Dynamics & Articulation
- Melody & Texture
- Rhythm & Meter
- Tonality: Scales & Chords
- Phrase & Form
- Rhythm Notation
- Meter Notation
- Pitch Notation
- Other Notation Systems
- Tuning Systems
- Major Scales & Key Signatures
- Diatonic Intervals
- Minor Keys & Scales
- Chromatic Intervals
- Modes
- Triads & Inversions
- Seventh Chords
- Extended Harmonies & Popular Chords
- Roman Numeral Analysis
Theory II
- Meters & Beats
- Poetic Meter & Text-Setting
- Major Diatonic Harmony
- Melodic Writing & Harmony
- Rhythm & Melody
- Motivic Development
- Harmonic Cadences
- Harmonic Rhythm
- Non-Harmonic Tones
- Phrase Forms
- Minor & Modal Harmony
- Writing for Instruments & Transposition
- Modal Melody
- Metrical Deviations & Dissonances
- Meet the Composer
- Counterpoint
- Harmonic Progressions & Syntax
- Formal Function
- Improvisation & Performer Creativity
- Modulation
- Tonicization
- Form in Popular Music
- Scoring
- Texture, Timbre & Form
Theory III
- Chromatic Harmony
- Other Scales
- Large Forms
- The Music Business
- Genre
- Rap
- Film & Television Music
- Stage Music
- Video Game Music
- Multimedia
- Pantriadicism & Third Relations
- Pandiatonicism & Soundmass
- Extended Techniques
- Quartal Harmony
- Emotion in Music
- Impressionism
- Polytonality
- Polymeter
- Eclecticism, Quotation & Sampling
- Atonality
- Serialism
- Set Theory
- Microtonality
- Colotomic Structures
- Minimalism