Roman Numeral Analysis: Difference between revisions
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== Objectives == | ==Objectives== | ||
*Students will be familiar with harmonic macroanalysis and roman numeral analysis. | |||
*Students will be familiar with the names of individual scale degrees (tonic, supertonic, etc.) | |||
*Student will be able to derive the Roman Numerals in a major or minor key | |||
*Student will be able to label chords with the proper Roman Numeral in major and minor keys | |||
==Resources== | |||
== | ==Class Activities== | ||
*Discussion and definition of the concept of harmonic analysis | |||
*Discussion and definition of the concept of Roman numeral analysis | |||
*Roman numeral analysis of music from different genres and time periods | |||
==Assignments== | |||
== Notes == | *Translation of a macroanalyzed chord progression into Roman numeral analysis | ||
==Notes== | |||
[[Category:Theory 1]] | |||
[[Category:Harmony]] | |||
[[Category:Fundamentals of 12TET]] | |||
Revision as of 20:38, 28 July 2020
| This lesson is part of the Fundamentals of Twelve-Tone Equal Temperament category. |
Objectives
- Students will be familiar with harmonic macroanalysis and roman numeral analysis.
- Students will be familiar with the names of individual scale degrees (tonic, supertonic, etc.)
- Student will be able to derive the Roman Numerals in a major or minor key
- Student will be able to label chords with the proper Roman Numeral in major and minor keys
Resources
Class Activities
- Discussion and definition of the concept of harmonic analysis
- Discussion and definition of the concept of Roman numeral analysis
- Roman numeral analysis of music from different genres and time periods
Assignments
- Translation of a macroanalyzed chord progression into Roman numeral analysis