Chromatic Harmony: Difference between revisions
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*Spelling Borrowed and Neapolitan Chords in Basic Form ([https://drive.google.com/file/d/1ohp3fDwrubkIILGYbhLXwawmLzdgiWim/view?usp=sharing Finale] | [https://drive.google.com/file/d/1IekwrImXs9c2GFbyTyoZBRFJOteMej7X/view?usp=sharing MusicXML] | [https://drive.google.com/file/d/1463Mo8DkXYsqqr6uuc03Ms60A1n1ebp4/view?usp=sharing PDF]) | |||
*Spelling Augmented Sixth Chords in Basic Form ([https://drive.google.com/file/d/171SdABKgrFKn6f84gKXFFYKM5yZljr5q/view?usp=sharing Finale] | [https://drive.google.com/file/d/1Tcp7HsX48StZBrlooShRbTZhCFL6O5ha/view?usp=sharing MusicXML] | [https://drive.google.com/file/d/1vx4RODXlLE8mQuV78mh4Q6_CNuvnAYcF/view?usp=sharing PDF]) | |||
*Spelling Chromatic Chords in Basic Form ([https://drive.google.com/file/d/1im4CgrfgMDb6nbHxjQ9rF5irc5zEWNUQ/view?usp=sharing Finale] | [https://drive.google.com/file/d/1bD5FH8b9iGq66gHrBe9hnS6RTmZlLL8K/view?usp=sharing MusicXML] | [https://drive.google.com/file/d/1m4ibYbUpgvrAWA3FbAfthj1zpo-SwDu4/view?usp=sharing PDF]) | *Spelling Chromatic Chords in Basic Form ([https://drive.google.com/file/d/1im4CgrfgMDb6nbHxjQ9rF5irc5zEWNUQ/view?usp=sharing Finale] | [https://drive.google.com/file/d/1bD5FH8b9iGq66gHrBe9hnS6RTmZlLL8K/view?usp=sharing MusicXML] | [https://drive.google.com/file/d/1m4ibYbUpgvrAWA3FbAfthj1zpo-SwDu4/view?usp=sharing PDF]) | ||
*Spelling Enharmonic Modulations ([https://drive.google.com/file/d/1RUBCzhm3AZuGfQccSXHWntF3D-PLp73_/view?usp=sharing Finale] | [https://drive.google.com/file/d/16srPEhG0BqTo1aO1a8f3kNrggoeQ_KCZ/view?usp=sharing MusicXML] | [https://drive.google.com/file/d/1s4rNX2d7qtv6TOzrs-0Bh_No4MOPQf7g/view?usp=sharing PDF]) | *Spelling Enharmonic Modulations ([https://drive.google.com/file/d/1RUBCzhm3AZuGfQccSXHWntF3D-PLp73_/view?usp=sharing Finale] | [https://drive.google.com/file/d/16srPEhG0BqTo1aO1a8f3kNrggoeQ_KCZ/view?usp=sharing MusicXML] | [https://drive.google.com/file/d/1s4rNX2d7qtv6TOzrs-0Bh_No4MOPQf7g/view?usp=sharing PDF]) |
Latest revision as of 20:47, 20 August 2020
This lesson is part of the Harmony category. |
Objectives[edit]
- Students will be familiar with common chromatic harmonic vocabulary, including the Neapolitan chord, borrowed chords and augmented sixth chords.
- Students will be able to substitute chromatic chords into a diatonic chord progression.
- Students will be familiar with enharmonic modulation and tritone substitution.
Resources[edit]
Readings[edit]
- Music Theory for Musicians and Normal People:
- Shaffer, Wharton (eds.), Open Music Theory:
- Hutchinson, Music Theory for the 21st-Century Classroom
- Snodgrass, Contemporary Musicianship:
Class Activities[edit]
- Discussion and definition of chromatic harmonic vocabulary
- Harmonic analysis of music from different genres and time periods
- Substitution or insertion of chromatic chords into a given diatonic chord progression
- Composition and improvisation of chord progressions which use altered or enharmonic modulation to modulate between two given keys
Assignments[edit]
- Notation of various chromatic chords in a given key
- Identification and analysis of chromatic harmony in written and recorded music
- Substitution of chromatic chords into a diatonic chord progression
- Composition of a chord progression which uses chromatic harmony
Files[edit]
- Spelling Borrowed and Neapolitan Chords in Basic Form (Finale | MusicXML | PDF)
- Spelling Augmented Sixth Chords in Basic Form (Finale | MusicXML | PDF)
- Spelling Chromatic Chords in Basic Form (Finale | MusicXML | PDF)
- Spelling Enharmonic Modulations (Finale | MusicXML | PDF)
- Adding Chromatic Chords to a Diatonic Piano Passage (Finale | MusicXML | PDF)
- Harmonic Analysis: "Peacherine Rag" (excerpt) by Scott Joplin (Finale | MusicXML | PDF)
- Harmonic Analysis: "Love On Top" (excerpt) by Beyoncé Knowles (Finale | MusicXML | PDF)
- Worksheets by John Paul Ito